A landscape painting should make you feel like you are in a deep space. When viewing it you should feel as though you were right inside the painting. It should be both spellbinding and beautiful. To attain this, there are some tricks to it. The first trick is to use clarity. An example of this is to show a thick fog over some hills in the distance, and have the fog fade as you get to the hills towards the front. A second trick is to use a winding path, such as a trail, a creek, or a river. This makes people feel as though they are deep within the painting. A third trick is to use size to your advantage. A tree up close should be large, while a tree far away should be small. This enhances the viewer’s feel of the distance and expanse of the landscape.

One thing you have to remember about a landscape painting is that it doesn’t have to show exactly everything you see. If you don’t want to paint every tree you see, then don’t. If you want to put a bird in the sky, then put a bird in the sky. If you don’t like the color of some flowers, then feel free to change the color to one you approve of. If you don’t like to include the people you see in the landscape, then take them out. If you want to change the color of the sky from a grey evening to a dark evening, then change away. Use your imagination and do as you will. It is all up to you. Your goal with the landscape painting is to dramatically capture the feel of the landscape, not to show everything in it. If a landscape painting was supposed to be an exact duplicate it would be called a photograph, not a painting.

A great landscape painting will enhance your artist capabilities. It can also help you make some extra pocket change being how popular these paintings are. Anyone would want a beautiful landscape painting to compliment there home or office. With all of these tips and tricks in mind, you should be on your way to creating a masterful landscape painting. Perhaps one day you can be a world renowned landscape artist!

“Washing” is a technique commonly used with watercolors. You start by wetting the area of the paper that will be covered with the wash. Then mix up enough pigment to fill the area and apply the pigment starting at the top and overlapping on any horizontal bands. The wash is then left to dry. Don’t work it as it will even itself out as it dries. The technique called “dropping in color” is a process where an additional color is added to a wet area of the painting which is then allowed to naturally bleed without any interference by the artist. The results are unpredictable with interesting color gradations.

“Glazing” is a technique similar to a wash, but instead of application to a wet surface a thin layer of pigment is applied to a dry surface over washes that already exist. It is used to adjust tone and color on a wash, and it is applied in layers until the desired affect is reached. Just be sure that each layer is dry before applying the next layer. Auroline, cobalt blue and permanent rose are good transparent pigments to glaze with.

The “wet in wet” is a technique where you fill your brush with a very wet pigment that is then applied to a wet paper. It can be applied on top of existing washes that have dried. Just dampen these areas with a large brush. This technique provides soft subtle marks that are great for background areas. The “dry brush” is opposite to the “wet in wet” technique. The brush is filled with pigment with the use of minimal water and then it is dragged across the dry paper, producing a very crisp mark with a hard edge. It is an excellent technique for front work and points of interest.

“Lifting off” is an interesting technique where the pigment is dissolved and lifted off after it has dried. Just wet the area you want to lift and then use a tissue to blot the pigment off. Reds, yellows, and blues can be more difficult to lift. Watercolor painting is an interesting form of artistic expression and it’s a common choice for beginning artists.