An expert artist can very successfully reflect the personality of a person through his portrait. He captures everything perfectly into the portrait right from the muscle tone and skull structure to the perfect smile. To make the portrait paintings perfect, an artist first studies his/her subject very closely. He/she very deeply studies the character and personality of the person whose portrait is being made. He/she studies the emotions reflected by the eyes and smile of the subject. The artists very carefully study the structure of the features too.

After close study of the subject, the artists start working on the portrait paintings. They put in all their efforts to fill life into the portrait and make it look real. They try to reflect the different emotions, like happiness, anger, excitement etc., present in the subject, through the portrait. All the qualities which are required to make a portrait look beautiful are present in Leonardo Da Vinci’s ‘Mona Lisa’. That’s the reason why it is considered as one of the most beautiful portrait paintings painted till date.

http://www.stefano-campitelli-portrait-and-nude-painting.com/ is a website of Stefano Campitelli, an Italian artist from Rome shows his female and male nude drawings and paintings, male nude etching prints, lifelike oil portraits, nude male soft-ground etchings and aquatint prints. He also teaches his art techniques. He has been painting and drawing for more than 15 years. Also etching is one of his great passions. In this virtual art gallery you will also find nude drawings, etching prints and aquatints.

Do you need information about art techniques? Here you will find some tips especially about oil painting, drawing and etching. Generally, figure painting is mainly focused on the female figure, but here male nude painting has an important place. Naturally other subjects as flowers and landscapes are represented as well.

If you find the way he express myself different, don’t worry, he am just an Italian “tourist”. If you have any questions or you are searching for some tips about art techniques, feel free to contact him.

To artists, a lines of action is never be complicated, lest it makes the figure awkward and mangled. Bear in mind that cats move, and shall always be expected to move, in a very graceful manner that when captured on film and viewed frame by frame, it would be like the cat were posing for a magazine cover or centerfold. Do also consider the fluidity of the cat’s movement. The gracefulness of its movement seems to provide an uncanny feeling of predictability, that you almost always know what it is going to do next, except that this understanding is based on your feeling, as if you yourself were the cat. A cat glides through an unbroken sequence of what may seem to be a pre-scripted motion. Notice this difference when observing birds. Birds are nervous and jerky, and will not stand still.

Cat artists will explain that there is a unique excitement derived from drawing cats, and it begins in finding the right line of action. While it is true that the line of action fundamentally determines the motion pose for any figure (human, for example), with the cat, the line easily becomes the figure. Usually, an action line appears as a pencil streak across a blank drawing field where a figure is later built upon. For the human figure, it is a vertical or diagonal line, slightly curved in representing its spine; for cats, it is many times horizontal but more bent like the current of a wave of water. The sprinting image of a cheetah, for example, with its all its legs up in the air, may begin with an action line that looks like a representation of an AC power stream. A kitten captured in a pouncing frolic over a yarn may basically look like diagonal overextended S.

An action line is a line of discipline. It controls the artist’s concept and the way a spectator sees the figure. Its straightforwardness facilitates an easier organization of the figure’s details as the stages progress; it will also aid to a trouble-free understanding of the figure when it is later viewed.

Most of the art galleries are public, in the sense that any person could walk inside the art gallery and but the desired art. In general, public galleries host often openings and willingly promote their company. Many artists get their kick start at common public art galleries only, which could sell work on fee or buy work from an artist and resell it later. On the other hand, some of the art galleries, yet, are private, in the sense that you need to be a member if you wish to enter. Private art galleries demonstrate high-end art, and support bountiful openings.

Some of the art galleries have custodians which usually concentrate on art from a particular region or exact period. Examples of regions might comprise of European art, Australian aboriginal art, and other Chinese art, Asian art on the whole or African art. At times the regional spotlight would be very restricted; an art gallery may only show Peruvian textiles, for instance. During other times, the focus is in fact more on general, and is intended to comprise a huge range of creative styles from a wide-ranging area of the globe.

Generally, art galleries would be devoted to a meticulous medium like furniture, oil painting, jewels, picture making, monument, textiles, or other pottery. The medium might be exact to an area or time period, or it might be a more universal collection of works in, which medium. Frequently the art on show is from a huge variety of performers, permitting collectors of, which medium to discover newcomers to the area and buy a variety of art. Another usual kind of art gallery is a kind of gallery that has an exact educational focus. That focus may be political, chronological, or could be medium based.

Sculpture like most forms of art is created with the idea of expressing a view. That view can be personal, political, religious, or other in nature. Invariably the view is meant to also meant to trigger an emotion in the heart and head of the viewer. Determining the quality of a sculpture is very difficult and is subjective as best. Artists as well as artist styles go in and out of vogue. But generally, any sculpture which can cause an emotion whether it is bringing tears to your eyes or joy to your heart can safely be considered art by most people.

A sculpture, even if not particularly distinctive in and of itself, can also be considered art if has influenced other major artist or art pieces. Paintings and sculptures also seem to attain “art” status as they survive the passage of time. That is why prehistoric drawings that you see in museums are treated as art even though they would not pass muster if an art student painted them today. Sculpture is a unique form of art – related to but separate from painting, music, poetry, and writing. Unlike the others, a sculpture is a three dimensional work of art. From its very beginnings, a sculpture was meant to last. Sculpture pieces were created using materials that themselves had passed the test of time – stone and marble, hard metals such as gold and silver, and wood.

One reason art is so hard to define is that artists, especially the creative ones, are often attempting to break the mold, to create something new. They want to create something unlike anything else around. And many times when that happens, the people of that time aren’t willing to accept the work as art. It’s just too far ahead of its time. Then later, if it lasts, people gradually begin to see the layers of complexity in it. They begin to understand and appreciate its meanings and nuances. Early and even some later Pablo Picasso sculptures are a perfect example of this. When Picasso’s 50 foot high untitled sculpture was first placed in Chicago’s Civic Center Plaza. Many considered it a monstrosity. Some newspapers panned it. And now, what was once so controversial, has become an undisputed landmark for the city of Chicago.

Art galleries can be regarded as the best place for art lovers and artists to acquire knowledge related to art. Both the species can share their interest and concentrate in promoting art among the public. In the art galleries, various works of admired artists are displayed and are preserved for the next generation. The collection of art galleries are rapidly changing. Moreover, the tradition of showcasing art has been shifted from venues to online. Artists and art aficionados can upload their work online and can send it to their friends through emails and e-cards. The art gallery is classified into private and public galleries. The public galleries display permanent collection of art. Whereas, private galleries carry the private-owned for profit-motive and sale works of art.

Fresh artists will find art gallery and art festivals as niche to exhibit their skills. They can reveal their ideas to the world. The art galleries feature a wide range of art forms. Many galleries carry world wide significance and visitors visit the galleries across the world. People evaluate the works of art and also get a chance to purchase the work they think to be worthy. There are numerous art galleries imparting knowledge and inform art lovers about the changing ideas related to art along with creating a platform for the unsung artists.

Art gallery is also a great place to meet art heroes personally. The art lovers can have a vivid insight into the artists’ psychology and their skills to shape their ideas. So, to know art and artists in a better way visiting art galleries are rewarding and essential.

To find more information about various works of art and artists visit an art gallery. The art galleries preserve works of admired artists and also make it possible to possess them through sale or auctions for art lovers.

The main reason of a dull finish in the painting is the improper ratio of drying oils in paint and solvents. Generally, it happens when the amount of solvent is more in the painting. Make sure to use prime oil paint for avoiding this kind of sinking effect in your art work. The good news is that the oiling out process is available to regain the sheen of your painting surface. In this process, all the mediums like in-seed oil, are rubbed on the dull areas. If you apply this process gently, then you will surely get the sheen on the surface of your painting once again.

Cracking is one of the defects you generally find in oil paintings. This defect occurs because the bottom layer of the painting contains more drying oil as compared to the top layer. In case the top layer contains too many solvents then it will dry very fast and become more brittle than bottom layer. To avoid this defect make sure you apply the paint properly on all the layers and give proper time to them to dry.

Unlike stone sculpting, metal sculpture can be painted and polished to create additional effects. Also, metal sculpture is not limited to the use of metal alone. The final work of art can have metal combined with other materials such as wood, rubber and plastic, to create a variety of effects and meanings.

Metal sculpture also need not be static. Pieces of metal may be joined to each other in such a way that there is flexibility that allows the sculpture to bend and moves, as in the case of a working weather vane held in the raised hand of a human figure. A more modern take on this is the motorized metal sculpture. Electric and even gasoline engines are fixed to a sculpture allowing parts of it to move with mechanized precision.

Metal sculpture comes in all sizes from a one inch statue of a Pixie to a ten plus foot tall sculpture of an Amazon. Metal sculpture need not be realistic. Surreal creations using wired shapes and things found in a junk yard or at the back of a garage can be combined into great works of art. These is also almost no limit to the materials that can be used for metal sculpture. Any metal that can be cast, joined or shaped – which with today’s technology is nearly everything – can be used for creating meal sculptures.

And these works of art no not need to be only decorative. Metal sculpture can be designed or modified for practical applications. A sculpture with a flat top may be used as a table. One which is slim and tall maybe converted into a lamp. A small hollow one can be converted into a decorative flower pot. Unlike stone sculpture which are fragile in nature, metal is strong and if the design permits, any number of practical applications are possible.

• Subject. Choose the subject for your graffiti painting and starkly demarcate the shadow areas. Graffiti painting works only when one has clear chiaroscuro effect. Draw a small-scale image of the subject of your graffiti, taking care that there is not too much detailing. Subjects for beginners should appropriately be inspired from the artwork in comics. The fonts and rendering in comics make for a great beginners’ work.

• Coloring. Once you have outlined your graffiti sketch on a small scale, its time to fill in colors and imagine the entire work on a large scale. What looks awesome on small size, does not essentially translate into a large-scale graffiti work, neither is there a foolproof way to judge that. However, its this uncertainty only that makes the process of Painting Graffiti an evolutionary one.

• Outlining Work Area. Outline your Graffiti work area into a rectangle, using charcoal or white diluted paint. You can use a string to mark out a rough grid on the work area. Using charcoal, transfer the small-scale model onto the work surface.

• Background. Once you are done with outlining the work surface, spray a diluted neutral colored paint (White or Pale Cream) using aerosol can on the large areas of your Graffiti Painting, which are to be painted with dark colors. You may also use Paint Rollers to fill in symmetrical areas with colors. Make sure to spread a very thin layer of paint initially. The painted area should be left to dry for at least an hour.

• Coloring. Using aerosol cans filled with different colors, start with large areas of your Graffiti Painting, and move on slowly to small areas. Do not let the can’s nozzle linger on for more than three seconds at one place, as this would lead to the dripping of paint (of course, if that’s the effect you want then carry on the drip way).

• Fine Defining. Use fine brush and paint (preferably Emulsion) to bring out the fine lines and the effects of your graffiti painting.

• Preservation. If you want some longevity for your graffiti painting, spray it with a thin layer of varnish. You are done with your graffiti painting.

One very important fact of graffiti painting is its idea, its central motive. If you are not excited by an idea or by the colors, or by drawing the initial sketch, it’s suggested that you do not venture into this activity. Art without madness is no fun!